{"id":6705,"date":"2021-07-21T20:15:24","date_gmt":"2021-07-22T00:15:24","guid":{"rendered":"http:\/\/www.mainebluegrass.org\/?page_id=6705"},"modified":"2021-07-21T20:15:24","modified_gmt":"2021-07-22T00:15:24","slug":"foxbanjo","status":"publish","type":"page","link":"https:\/\/mainebluegrass.org\/test\/foxbanjo\/","title":{"rendered":"Bluegrass Music Association of Maine Fox Banjo On-Line Auction Owned by the legendary Bob French of &#8220;Bob &#038; Grace and Rainbow Valley Boys&#8221; and one of the original members of &#8220;Joe Val&#8217;s New England Bluegrass Boys&#8221;"},"content":{"rendered":"<p>[wow_title align=&#8221;left&#8221; text=&#8221;Congratulations Rich Stillman!&#8221;][row][span size=&#8221;6&#8243;]<\/p>\n<p><a href=\"http:\/\/www.mainebluegrass.org\/wp-content\/uploads\/2021\/10\/Richbanjo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6844\" src=\"http:\/\/www.mainebluegrass.org\/wp-content\/uploads\/2021\/10\/Richbanjo.jpg\" alt=\"\" width=\"720\" height=\"960\"><\/a>[\/span][span size=&#8221;6&#8243;]The Bluegrass Music Association of Maine congratulates Rich Stillman, the high bidder and now proud owner of the FOX Banjo! Thanks to all who participated in the online bidding for our first online auction event. Special thanks to Grace French for her kind donation of Bob French&#8217;s banjo made with Jimmy Cox tone ring and parts. And to the BMAM Board of Directors who put so much work into making this Fundraiser a great success!<\/p>\n<p>[wow_box color=&#8221;blue&#8221; float=&#8221;none&#8221; text_align=&#8221;left&#8221; width=&#8221;100%&#8221;]<\/p>\n<p>Bids were collected from Noon EST July 23, 2021 through 5 PM EST on Saturday, September 4, 2021. High Bidder was notified at that time.&nbsp;<\/p>\n<p><strong>STARTING BID<\/strong>: $600.00<\/p>\n<p><strong>RESERVE PRICE<\/strong>: $750.00 (If bidding ended before the reserve is reached, the BMAM reserved the right to retain ownership of the item.)<\/p>\n<p><strong>Value<\/strong>: Priceless<\/p>\n<p>[\/wow_box][\/span][\/row]<\/p>\n<p style=\"text-align: center;\">[wow_title align=&#8221;left&#8221; text=&#8221;Fox Banjo History&#8221;]<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Bob and Grace French were important early participants in the New England Bluegrass music scene.&nbsp; Bob was one of the first New England Scruggs-style banjo pickers; starting in the mid-1950\u2019s he taught himself from available recordings in a time when other instructional materials were simply not available.&nbsp; Bob and Grace lived much of their early lives in Massachusetts, but eventually he and Grace settled in Cambridge, Maine.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bob and Grace French played all over New England with their own band, the Rainbow Valley Boys.&nbsp; In addition, Bob was also one of the original members of Joe Val\u2019s New England Bluegrass Boys<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Like many Banjo players, Bob tinkered with his instruments.&nbsp; What banjo player can resist tweaking a few of those nuts or bolts, or sometimes swapping out some factory parts for a hot new tone ring, all to get that killer tone? But Bob did more than tinker; he is known to have made or assembled probably a dozen or more instruments.&nbsp;&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bob usually started with a \u201cfactory second\u201d banjo neck from Jim Cox\u2019s shop; these would typically be a neck with cosmetic or other defects that Jim did not intend to put on one of his own models.&nbsp; Bob would change the lettering on the headstock, substituting an \u201cF\u201d for the \u201cC\u201d in the Cox logo on the headstock.&nbsp; Bob acquired other banjo parts from various sources; some might come from Jim Cox directly, with other parts perhaps from Stew Mac or other vendors.&nbsp; Other parts may have originated on other instruments that Bob had previously owned.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After Bob\u2019s passing in 2016, Grace donated two of Bob\u2019s \u201cFox\u201d banjos to BMAM; the first was raffled in 2017; the winner was BMAM member Steve Davis.&nbsp; The second banjo was rougher and had less \u201ccurb Appeal\u201d; this banjo was included in the BMAM Instrument Loan program, which terminated in late 2019.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Our last \u201cFox\u201d banjo, has excellent \u201cbones\u201d, but it also had some substantial appearance issues.&nbsp; The neck was very rough, with issues in the finish and binding.&nbsp; It is made from a beautiful piece of highly-figured tiger maple, with the \u201dHearts &amp; Flowers\u201d inlay pattern on an ebony fingerboard, and it is straight.&nbsp; The resonator, also highly-figured maple, has some buckle rash.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Fox banjo\u2019s rim, resonator, tone ring, and other Cox parts were all top-quality standard stock from Jim Cox\u2019s shop; other parts from other sources were also first rate.&nbsp; The tuning pegs, with dark amber buttons, are unusual and very attractive.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The instrument clearly has been heavily played; the metal patina and \u2018buckle rash\u2019 are a dead giveaway to heavy use.&nbsp; Bob is known to have had other high-value banjos, but this Fox Banjo was certainly played on many occasions.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To get the banjo in great shape, we engaged Glenn Nelson, a first-rate luthier, and a banjo specialist, co-owner (with his wife, Barbara,) of Mockingbird Music, in Berlin, MA .&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Glenn has made banjos, as well as guitars, and is a banjo player himself.&nbsp; He has been a vendor at both Joe Val and Ossipee, as well as other festivals, for many years.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is partial list of the improvements Glenn has made to this banjo:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cCleaned all metal parts; removed a lot of the tarnishing, did not overly brighten it<\/span><\/p>\n<p><span style=\"font-weight: 400;\">to maintain its authenticity; cleaned and buffed all wood finish; tightened loose<\/span><\/p>\n<p><span style=\"font-weight: 400;\">tuners to headstock; aligned and tightened loose neck to rim; repaired loose<\/span><\/p>\n<p><span style=\"font-weight: 400;\">binding on the neck; reseated and secured loose fifth string peg; removed fifth<\/span><\/p>\n<p><span style=\"font-weight: 400;\">string nut and reinstalled at correct height; reseated and secured loose\/high<\/span><\/p>\n<p><span style=\"font-weight: 400;\">frets; levelled and recrowned frets; scraped and cleaned fingerboard; conditioned<\/span><\/p>\n<p><span style=\"font-weight: 400;\">fingerboard; installed new strings; cleaned and tightened head to G#; installed<\/span><\/p>\n<p><span style=\"font-weight: 400;\">new bridge; adjusted truss rod as required; set tailpiece height; set string action<\/span><\/p>\n<p><span style=\"font-weight: 400;\">at nut, dressed nut; set coordinator rods as required and snugged up; set bridge<\/span><\/p>\n<p><span style=\"font-weight: 400;\">location\/intonation.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Glenn has done a wonderful service for us!&nbsp; The instrument is now noticeably improved cosmetically, is in tune, with good string action and intonation &#8212; no buzzes &#8212; ; has new strings, a new bridge, improvements to the fret board, and other important upgrades. The new strings, the Snuffy Smith bridge, and head tightening along with other improvements have, in my opinion, produced a banjo that has a good, and potentially serious Bluegrass tone.&nbsp;&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BMAM is auctioning off this one of a kind storied instrument.&nbsp; We hope it will find a buyer whose interest in the instrument is enhanced by its history as an instrument made and played by one of the founders of New England Bluegrass music.<\/span><\/p>\n<p style=\"text-align: center;\"><b>Click on picture to see it full size.&nbsp; <\/b><\/p>\n<p style=\"text-align: center;\">[wow_button type=&#8221;square&#8221; size=&#8221;small&#8221; color=&#8221;mainthemebgcolor&#8221; fancy=&#8221;shadow&#8221; url=&#8221;https:\/\/drive.google.com\/drive\/folders\/1RFjLSvRXkwikdI_PPnmo8FncOL5rzkzx?usp=sharing&#8221; icon=&#8221;camera&#8221; text=&#8221;LARGE high quality photos available here&#8221; blank=&#8221;true&#8221;]<b> <\/b><\/p>\n\n<p><span style=\"font-weight: 400;\">[\/span][\/row]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[wow_title align=&#8221;left&#8221; text=&#8221;Congratulations Rich Stillman!&#8221;][row][span size=&#8221;6&#8243;] [\/span][span size=&#8221;6&#8243;]The Bluegrass Music Association of Maine congratulates Rich Stillman, the high bidder and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-6705","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/mainebluegrass.org\/test\/wp-json\/wp\/v2\/pages\/6705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mainebluegrass.org\/test\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mainebluegrass.org\/test\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mainebluegrass.org\/test\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mainebluegrass.org\/test\/wp-json\/wp\/v2\/comments?post=6705"}],"version-history":[{"count":0,"href":"https:\/\/mainebluegrass.org\/test\/wp-json\/wp\/v2\/pages\/6705\/revisions"}],"wp:attachment":[{"href":"https:\/\/mainebluegrass.org\/test\/wp-json\/wp\/v2\/media?parent=6705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}